Numismatic Catalog of Venezuela
Cheng's Numismatic .
Page code mpc1r-ba03@
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  1. 🏠
  2. Coins
  3. Province of Caracas
  4. Peso Fuerte
  5. 1 Real
  6. Design B
  7. Type A
  8. 1820 BS
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National Leprosarium Province of Barinas Province of Caracas Province of Guayana Province of Maracaibo Province of Margarita Táchira State Venezuela
1/8 Real 1/4 Real 1/2 Real 1 Real 2 Reales 4 Reales
Design A, Type A Design A, Type B Design B, Type A Design C, Type A
1817 BS 1818 BS 1820 BS 1821 BS
Obverse
Piece mpc1r-ba03v2 (Obverse)
Photo from piece mpc1r-ba03v2: Design B, Type A. Date 1820 BS. Variety #2
Photograph credits: Subastas Globus
Reverse
Piece mpc1r-ba03v2 (Reverse)
Photo from piece mpc1r-ba03v2: Design B, Type A. Date 1820 BS. Variety #2
Photograph credits: Subastas Globus
Characteristics
  • Date: 1820 BS
  • General: Circular shape.
  • Obverse: Dentacles beading with no rim. Two pillars of Hercules with capitals on the top, both pillars are cut by three horizontal lines, providing three rows of legends in three parts. In the center of the first row appears "1", in the second row appers "PLV", "SVL" and "TRA"; in the third row appears "B.", year and "S." (B.S. means the engraver Bartolomé Salinas). In the bottom appears "CARACAS" and below some wavelines which represents the sea.
  • Reverse: Dentacles beading with no rim. Allegorical spanish arms created by Jerusalem potent cross, which lions and castles appear alternately inside each cuadrant. Each quadrant is closed by arcs. On the left and right of the cross, appears "F" and "7", meaning Ferdinand VII. In the top and bottom of the cross appears "1".
  • Circulation: This was a royalist coinage.
Issues
SCWC Piece Code Date Mintage
Note
C5.2mpc1r-ba03 Entry without photo1820 BS10,729
Variety "a" according to Thomas Stohr. Reverse: Lion/Castle transposed.
Waves #3
Castle #2
Arches #2
Number #2
Letter #2
N/Lmpc1r-ba03v2 Entry with photo1820 BS(Inc. above)
Variety "b" according to Thomas Stohr. Reverse: Lion/Castle transposed.
Waves #3
Castle #2
Arches #3
Number #2
Letter #2
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